No.1,
Spring 1993
No.2,
Summer, 1993
No.3, Autumn, 1994
No 4. Spring ,1994 Special experimenta issue
No.5, Autumn, 1995
No.6, Winter, 1995
No. 7, Summer, 1995
No.8/9, Autumn/Winter 1996, Special issue, “Robotica”
No. 10, 1996, fifth experimenta media arts festival issue
No. 11, 1997, “altered states”
No.12, 1998/99, Game Theory
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No.1,
Spring 1993
Film and Video, Cain and Abel by Adrian Martin
Vive les Differences by Freda Freiberg
Video: the devil you don’t know by Kevin Murray
Underbelly of the psyche: Looking at Alan Sondheim by Andrew
Whelan
Spotlight on Pale Black: Interview with filmaker Marie Craven
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No.2,
Summer, 1993
My
Memory Your Past:Interview with Moira Corby by Lisa Logan
Within the Crystal Palace: City Screens & Metrodome
by Steven Ball
Little Statues for our Loungeroom: an interview with Arf
Arf by Vikki Riley
Tracey Moffatt retrospective by Penny Webb
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No.3,
Autumn, 1994
Pollination
by Julie Clarke
Facing the 90's:Fringe Film & Video work and it’s avant
garde status by Barrett Hodsdon
Gamegirls:Women working with new imaging technologies
by Jyanni Steffensen
Nothing if not Full-On: The S-Thetix of Cyberdada films
by David Cox
Paula Dawson:The Secret of Happiness by Brecon Walsh
QED Choose Film: Cine Bohemio by Steven Ball
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No
4. Spring ,1994 Special experimenta issue.
Articles & Reviews of the latest Australian international
media arts experimenta ‘94
Australian Film & Video at experimenta ‘94 by Vikki Riley
The Australian Scene by Robert Nery
Grainy, Scratched and Out of Focus. Super 8 in Recent Contemporary
Australian Experimental Film and Video by Steven Ball
The Light of Other Days Reflections and Refractions on Recent
Films by Paul Winkler
Earwitness: Excersions in Sound by Sonia Leber
How to Die: The Films of Mike Hoolboom by Jack Rusholme
Always Fair Weather: Experimental Film & Video in France
by Yann Beauvais
Beyond Destination and Desire An Interview with Ian Rashid
by Chris Berry
Eden and After: Stan Brakhage’s ‘A Child’s Garden and the Serious
Sea’ by Adrian Martin
Looking Awry: Experimental Film and Video from Aotearoa New
Zealand by Annie Goldson |
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No.5,
Autumn, 1995
Michael
Snow by Peter Mudie
The AFC Conference: Narrative & Interactivity by Kevin
Murray
Linda Dement and Brad Miller by Heather Barton
Creative Nation by Barbara Allen
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No.6,
Winter, 1995
Lets
go AIMIA: review of Australasian Interactive Multimedia Industry
Association conference by Dave Sag
Would you like to make love to a stick figure? Academic &
performance artist Dr Sandy Stone by Julie Clarke
“look it’s drinking the water!” It’s increasingly difficult
to “draw a line” between good & bad digital art these days
by Chris Gregory
Digital Wombs, Male Phantasms & Female Embodiment
by Ross Moore
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No.
7, Summer, 1995
The
Gardening Program, The Phenomenon of the Electronic Garden
by Jane Goodall
Paradise Lost? The Avant-Garde & Reprising the “Primitive
Movement” of Early Cinema by Barrett Hodsdon
Ubu Films’ 30th Anniversary Beginnings of Australian cinema’s
avant-garde by Peter Mudie
A Virtual Q & A The Virtualities exhibition raises questions
on the meaning of the reception for interactive art by Jun-Ann
Lam
1995 ISEA Conference by Mike Leggett
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No.8/9,
Autumn/Winter 1996, Special issue, “Robotica”
Microscope
Phakometre/ Epanaphorascope Phlatergometre by Peter Morse
The Information Processing Unit: Robots & Artifcal Intelligence
by Ann Morrisson
Prosthetic Aesthetics: performing the cyborg body by
Laura Mc Gough
New Roborts Cyborgs, Softbots & Avatars by Kathy
Cleland
Mapping the Code Artists Concieving Data-Bodies by Zara
Stanhope
Fembots Sexy Home Appliances by Jyanni Steffensen
Making Robots: An Interview with Ron Newson from Showtronix
by Kathy Cleland and David Cranswick
Marion Harper: Centre for Contemporary Photography, Melbourne
by Helen Stuckey
Joy Saunders: First Draft, Sydney by Alex Gawronski
Patricia Piccinini- Alison Main: Contemporary Art Centre
Adelaide by Suzanne Triester
Stelarc: Artspace, Sydney by Brecon Walsh
Digital Primate: Stop 22, Melbourne by Anna Clabburn
Nothing Natural: Basement Gallery, Melbourne by Anna
Clabburn
Digital Aesthetics One: Ivan Dogherty, Sydney by Cindy
Lee
Urban Exile: Online Gallery by Werner Hammerstingl
Cybercultures: The Performance Space, Sydney by Ann Morrisson
I.C.U by Peter Hennessy: The Basement Gallery, Melbourne
by Rosemary Burn
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No.
10, 1996, fifth experimenta media arts festival issue
Your
Place of Mine? by Darren Tofts
MESH interviews Peter Handsaker by the director of experimenta
media arts festival 1996
Strangled by an Intestine a general prolegomenon on Guy Maddin
by Darren Wershler-Henry
Silver Delirium/Crimes & Confessions by Marie Craven
Stan Brakhage Retrospective by Peter Mudie
To See Through Soiled Eyes; Richard Kern by Lance Sinclair
CD-ROM the 21st Century Bronze by Mike Leggett
Listening as Performance The Reflective Space by Lawrence
Harvey
women@art.technology.au supplement Australian Women
Artists and New Media Technologies by Kathy Cleland
Interactivity, Intersubjectivity and the Artwork/Network
by Zoë Sofoulis
Sound, Electricity & Women by Deborah Durie
Domestic Disturbance by Shiralee Saul
Martine Corompt’s Cute Machines by Helen Stuckey
Jun-Ann Lam’s North East South West- The Yellow Peril Virus
by Lisa Daniel
Alison Main’s Techno-Grammer by Bala Starr
Sarah Waterson’s Mapping E~Motion by Zoë Sofoulis
The Body Remembers by Zara Stanhope
Re-possessing the Body by Josephine Grieve
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No.
11, 1997, “altered states”
Psychotic
Reactions: Why we are not Sirius by Helen Stuckey
Transcendence in Cyberspace: Of virtual and other realities
by Deborah Drurie.
Troy Innocent: Memespace by Darren Tofts
Tim Gruchy: Synthing by Shiralee Saul
Lindsay Colborne: Serendipity and the road to happiness
by Emily Clarke
Consciousness Reframed: Art and consciousness in the post-biological
era by Taylor Nuttall
The Digital Mirror Stage: Or the pixelated gaze by Kurt
Brereton
Altered States: Metamorphosis and cyberbole by Shiralee
Saul
Jon McCormack: Turbulence an interactive museum of unnatural
history
Tina Gonsalvas: Process of becoming by Jane Leonard
Rebecca Young: Are you happy yet? by Christine Adams
When Meme Meets Gene: Mindflux, mutagen and the virtual replicators
by Belinda Barnet
Techno-utopianism in Video Art and the Digital New Media:
from the ‘psychedelic’ Sixties to the ‘cyberdelic’ Nineties
by John Conomos
The Art of Dance by Benjamin Brady
Norie Neumark’s Shock in the Ear by Mike Leggett
Psy Harmonic’s Psy Visions by Jackie Cooper
Drome by Helen Stuckey
Dorian Dowse: OmTipi
Off the Rails: Introduction to a speculative history of mental
imagery in cinema by Adrian Martin
Browsing MOO-Media by Ann Morrison
Towards a Mass Psychology of the Net by Geert Lovink
From the Inside Out:Isabelle Delmottes’s Epileptograph: the
Internal Journey by Kathy Cleland
Naomi Herzog: Playing in Mined Feelds by Amanda King
pH7.2 - Watchtower by Peter Hennessey
Christopher Langton: PVC satire by Chris Gregory
The Art of Speed by D.J Huppatz
Foreword: Writing in, writing on (a work in progress)
by Adrian Miles
Bad Mojo by Ian Haig
Escape Velocity: Company in Space by Sophie Hansen
Mark Dundon: U-boats, aeroplanes and cruel seas by Helen
Stuckey
Trick or Treat: An installation by Martine Corompt, Ian Haig
& Phillip Samartzis by Dominic Redfern
William Yang & the North by Tracey Benson
Cyber Cultures by Ann Morrison
Trophies of Sickness: An installation by Emily Clarke
by Suzy Morton
Big Banana Time Inc.: Tracey Benson’s Uncanny Australia
by Kimberly Miller
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No.12,
1998/99, Game Theory
Emergent
Culture by Paul Brown
Un Autre Coup de Des. Multimedia and the Game Paradigm
by Darren Tofts
Audience Participation by Ian Haig
Whose Game by Dirk de Bruyn
Slots of Fun by Laurens Tan
Up the snakes and down the ladders by Steven Ball
Art Scratchy: Spend the rest of your life by Kurt Brereton
Eye Fly Triangular by Paul Rodgers
The Prize is Right by Amanda King
The New Abstraction by David Cox
Anagrammatology by Lisa Gye
Body Status by Julie Clarke
The Y2K Problem: Donna Haraway and the modest witness
by DX Raiden & Dominic Pettmen
Reviews: ISEA97 by Norie Neumark
Self Remembering- Home by Werner Hammerstingl
Macbeth Project by Dr Edward Scheer
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