WED 31ST August 2016
DRAMATURGY OF NEW MEDIA
Curated by Emile Zile
WATCH THE VIDEOS FROM EXPERIMENTA SOCIAL #2 HERE:
Uniting dramatic energy and new media technologies is not a new challenge. Artists have consistently explored the overlap of technology and drama. From Italian Futurists privileging the new sounds of 1910s new media, namely the car and the machine gun, to 1960s developments around democratised broadcast technologies and the opening of video art to the body as exemplified by Nam-June Paik and Charles Atlas.
Working at the intersections of performance, installation and new technology Martyn Coutts and Matthew Sleeth will unpack their elaborate individual practices and delve into what rehearsal decisions make technology invisible, how do technical advances drive creative decision making and what is the potential for media art on stage.
Matthew Sleeth is an Australian artist living and working between Melbourne and New York City. His conceptually driven practice uses a range of media, including sculpture, photography, video and public installation. In 2015 Sleeth directed A Drone Opera which featured unmanned aerial vehicles in an experimental multimedia performance featuring drones, their pilots and opera singers, combined with a new sound score, laser light design and moving image. A Drone Opera also featured collaborators Kate Richards, Robin Fox, Phil Samartzis, Susan Frykberg. http://sleeth.info
Martyn Coutts is an award winning Australian interdisciplinary artist concerned with ideas of the live, the interactive and the mediated body. His work has been shown in theatres, online, public space & galleries throughout Australia and the Asia Pacific. His works include Operation, Computer Boy and I Think I Can with Blood Policy, the Wayfarer series of works with Kate Richards, Thrashing Without Looking with Aphids, Visible City (the keynote project of 2010 Melbourne Fringe) & SAC35 for Salamanca Arts Centre. http://www.martyncoutts.com
This project is supported by the Besen Family Foundation and the City of Melbourne, and presented in conjunction with ACMIx.
Image: “I think I can premier” Sydney Central Station 2013 courtesy Martyn Coutts