The final Experimenta Social in the series, we invited Philip Brophy and Eugenia Lim to reflect on Australian identity, place and belonging. Using pop cultural forms as a lens to view Australian society, both Eugenia and Phil uncover latent meanings and interpretations through their video works, writing and installation. Expanding on his AFTRS Classics of Australian Cinema book that uses Priscilla Queen of the Desert as a map of Australian identity, Philip Brophy will deliver an expanded illustrated version of this book.
Philip Brophy: After a series of experimental mixed-media works exhibited in art and non-art contexts over many years, Philip Brophy has consolidated his interests to produce a range of audiovisual works focussing on his key interests in pop, sex and music. Brophy continues to lecture and present on film sound and music internationally, specializing in horror, sex & exploitation, film sound & music and Japanese animation. He is widely published in all three areas, and his book 100 MODERN SOUNDTRACKS has been translated and published in Japan.
Eugenia Lim is an Australian artist who works across video, performance and installation. Interested in how nationalism and stereotypes are formed, Lim invents personas to explore the tensions of an individual within society: alienation and belonging in a globalised world.
This project is supported by the Besen Family Foundation and the City of Melbourne, and presented in conjunction with ACMIx.
Image: Phllip Brophy, courtesy of the artist.